I’ve been listening to everything I can get my hands on by Jessica ever since. Do you think that this "free culture" ideology has infiltrated the tech giants since so many people in positions of power are younger and have grown up with easy access to music and other intellectual property? - By Heather Somerville, Spotify Is Now Asking Investors for More Cash, Swedish Paper Reports - By Paul Resnikoff, Online Music Piracy 'Destroys Local Music' - Countries like Spain run the risk of becoming "cultural deserts" because of online file-sharing, the music industry has claimed. The question is should we take a look at this because it's Google's money? In a recent blog post, Pandora CEO Tim Westergren even argued "we shouldn't even be talking about royalties, because the value of a spin on Pandora is about much more." To say that you price things to hit marginal cost is a total misunderstanding of the media business. ⢠Paying artists a flat rate for their streams, instead of tying their royalty rate to advertising revenue over which the artist has no control. Still, if crass exaggeration and hypocrisy were all that Google displayed in this regard, one might be inclined just to dismiss it as boys being boys. Here's another JazzProfiles editorial staff effort to bring separate postings, in this case, the eleven chapters of Bob Gordon'... © Copyright ® Steven Cerra, copyright protected; all rights reserved. . and why I started my own publishing company, and why I started my own CD company. We must work in solidarity now, not to just protect musicians, but to restore the ethical under-pinnings of what America and its Art should represent â honesty, fairness, respect, creativity, opportunity, and most of all, freedom. In fact, every 1,000 plays of a song on Pandora is only worth about 8 cents to songwriters and composers. Please leave your comments here.
It is not healthy for me to read these articles any more. But with this deal, you don't get a car. Musicians have suffered terribly â David Byrne, Lady Gaga, Bob Dylan, The Rolling Stones â they all work in solidarity to keep music, and musicians, alive. After all, musicians are having fun, not working . Access to information is a public good; it's a wonderful thing. They own the copyrights. âMeanwhile, some third-party spy service like a social network or search engine will invariably create persistent wealth from the information that is copied, the recordings. And I will SIGN the CDs for you if you specify that.
Prior to the Court's decision, ASCAP and DMX entered into an interim license fee that was higher than the final license fee determined by the Court. Based upon the Court's decision, ASCAP's distribution payments to members for DMX performances between June 2005 and October 2010 included overpayments that now require debit adjustments. These monies were refunded to DMX pursuant to the Court's ruling. The decision also affected royalties for performances on Muzak between January 2010 and May 2012 and performances on Music Choice between October 2010 and December 2011.
Let alone give them away to large corporations. I also learned that Paul Gonsalves actually died in Jack Sharpe's home - in 1973 if I remember rightly).”. The people who really annoy me are the pirates that try to act like theyâre taking the high road by pirating. . Boy, am I glad I did. And there are literally articles every day now (Aug 10, 2013) that it is impossible for me to list them.
The Daily Swarm has released some startling statistics on just what it takes for a musician to make a living in the music business. It is seeing instead of looking, knowing instead of believing, being instead of doing. - JW, Nov 25, 2014. . The difference between sites like Megavideo and sites like Dropbox is night and day. One case in particular makes me laugh. The Root traces the money trail. . You really must read Who Owns The Future. (disinformation, outdated). Recently, the Internet has been all a-twitter (or, more accurately, all a-reddit) over the takedown of filesharing site Megaupload. Usually privately-owned and operated, every community in southern. Today was the first time I had heard this marvellous music in stereo, and with the stellar cast we have here the music, always first rate, sounds even more compelling – how could it not with Paul Gonsalves, Ronnie Scott and Duke's “string section”, Ray Nance on trumpet and violin. I was lucky enough to pick up a mono copy in Dobell's basement in 1970. You give me money, I'm going to work harder, write a better book, whatever. But then on the other hand, they announced what they were doing with this money. This was back in the days when one could kill a few minutes waiting for a business appointment or a luncheon while perusing the local record store. ASCAP wants to make money for your members and Google wants to make money for their shareholders. Google "How much do jazz musicians make". In a review of his book, I wondered whether Dyer would have been similarly drawn to musicians such as Henry “Red” Allen, Dizzy Gillespie, and Red Norvo, no less brilliant, who seem to have led balanced, eminently non-neurotic lives.”, Hi Steven, You don't know me - and I don't really know you, but I’ve been enjoying your Jazz Profiles blogspot for some time now. Sherrill Fulghum is based in Niagara Falls, New York, United States of America, and is an Anchor for Allvoices.
That's not done automatically. Real life cannot avoid those spates, so eventually almost everyone living a real-time economic life falls on hard times. ⢠Allowing artists to edit their own profiles. I just keep right on playing. | CONTACT | BUY CDS | DONATE. Shop for Jessica Williams CDs, PayPal Secure. The attachments included will breakdown these payments/accruals further based on service as well as provide you a detailed statement: JESSICA WILLIAMS: Summary of Account Royalties for Period - June 2013, JJW Music $2.00 $0.00 $0.00 $0.00 $0.00 $0.00, Paid to JJW Music $0.00 $0.00 $0.00 $0.00 $0.00 $0.00 Check $0.0001, Please let us know how we can improve our service to you. It rings clear and resonates as it only can in the hands of a masterful pianist. It's not relevant to our business. But, even still. Right now, even compared to other streaming companies, Pandora is paying very little for performance rights to the music that drives its business. Bad guys come and go, but I think the musicians that make fine music will be remembered long after these guys are long gone. And if we let that slip away, whether through legal gridlock, cultural apathy or technological drift, we will have lost something irreplaceable and fundamental to our lives. The rest of your life may depend on it." Google is championing free culture because they make a lot of money distributing other people's stuff.
Yet "they" refer to me as a "major earner"!
The ones who talk about how theyâre supporting indie filmmakers by pirating mainstream Hollywood movies. January 27, 2012 - By Gavin Castleton, a songwriter and producer from Portland, OR, Copyright 2012 Gavin Castleton. Used by permission of the author. Mega-corporations (Google, Apple, Microsoft, Comcast, many more) now control and profit from our creations. The problem is that we have been conditioned by the Internet to believe that something-for-nothing is the norm and we get angry with companies that have the audacity to expect to get paid for their work. Calling it an ideology is giving it a dignity that it doesn't deserve. Also Known As. He believes that digital drives the cost of content down to zero, or near its marginal cost? PLEASE BUY FROM ME DIRECTLY! This will go on interminably now that ASCAP has agreed to it. - By The Trichordist, The Sharps and Flats of the Music Business - Subscription streaming and YouTube are finishing what Napster began, and the revolution is fully corporatized - By Zoë Keating, If Other Professions Were Paid like Artists - "Jeez, why do you keep demanding money and stuff?!" Songwriters deserve better. As Grover Sales, the distinguish author and lecturer on Jazz has commented: “Jessica Williams belongs to that exclusive group Count Basie dubbed "the poets of the piano" that includes. Makes their various complexes and misbehaviors interesting to writers, chroniclers, fans. For many musicians the only real source of an income is by touring and some bands spend more time on the road then they do at home trying to survive making music. A whole lot of folks have to get paid before the musician does. The current Spotify model treats artists like investors but without any [equity-type] long-term benefits. I “stayed close” to Jessica’s music in the 1990’s thanks to my association with Philip Barker, the owner of Jazz Focus Records for whom Jessica made a number of recordings including her. The original meaning is a quote by Stewart Brand, who founded the Whole Earth Catalog.  It was Google that floated the canard that passage of the bills would forever change âthe Internet as weâve known it.â. Technically, we're a not-for profit membership organization. You have the right to control your work. People on the other side don't say, "Hey, we have certain problems with these certain parts of the PROTECT IP Act." -JW Mar 20, 2018, Please sign our ASCAP anti-Pandora petition here, Unsound: extended trailer rough cut from Count Eldridge on Vimeo, Guest Post, an incredibly cogent article about the theft of artist's and musician's incomes and royalties by the phenomenally-gifted musician Maria Schneider, Music is an important part of who we are, an indelible record of what we care about and how we live. Les also wrote Speedy Gonsalves, a bossa flavoured piece which prompts Ray Nance to get the bow out again) Tony Crombie's Deb's Delight is also Ellingtonian in sound, but very much in the tradition of Tony Crombie's cheerful compositional ways: a typical probing Ronnie Scott solo and Tony Coe's alto are standouts. Even a book. They are non-neutral organizations.
Thereâs a big difference between a service primarily used to shuffle documents between coworkers and a service almost exclusively used to illegally watch copyrighted movies and TV shows. - from Jaron Lanier's book, Who Owns The Future, 7 Music Marketing Truths ALL Musicians Should Know - Ever wondered why some super talented musicians don't get the fanbase and recognition they “deserve,” while other not as talented musicians get a lot more exposure and are seen in all the right places? wasn't that the original idea?
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