You can find our Community Guidelines in full here. Please continue to respect all commenters and create constructive debates. Imagine going to some tourist attraction with dinner theater actors dressed in period costumes, you never actual believe any of it and even that would be more entertaining then this. How Interlude in Prague recreates the sumptuous world of Mozart, Amadeus review: Adam Gillen pulls off Mozart with haunting conviction, You may not agree with our views, or other users’, but please respond to them respectfully, Swearing, personal abuse, racism, sexism, homophobia and other discriminatory or inciteful language is not acceptable, Do not impersonate other users or reveal private information about third parties, We reserve the right to delete inappropriate posts and ban offending users without notification. Positive aspects: the settings in the style of 18th century, the costumes, the music of Mozart. Thankfully, it never does. Start your Independent Premium subscription today. | Beautifully directed, lovely music as you'd expect, and lots of insight into Mozart though the gripping story.. Visually, Interlude in Prague comfortably slips into cinema's favourite feathery slippers and delivers a film that is utterly gorgeous to look at. Zack Snyder meets Amadeus. Though Mozart's cinematic story has been somewhat dominated by the towering classic that is Amadeus, new film Interlude in Prague looks to take inspiration from one of his most famous works, Don Giovanni. From the odd mixture of accents to the stilted and episodic storytelling, Interlude in Prague threatens to descend into parody. The wonderful irony was seeing the angry and grief-stricken Mozart channeling his anger towards the baron in getting revenge. This was so poorly done, so fake in the way it was presented that I lasted 25 minutes and gave up. Interlude in Prague (M, 103mins) Directed by John Stephenson ... * REVIEW: Royal New Zealand Ballet's Dancing with Mozart * Mozart's The Marriage of Figaro comes to New Plymouth. FAQ This opera was somewhat revolutionary in that it held up the count to scorn and ridicule. I was excited to see this, gorgeous settings, spectacular costumes, fantastic classical music, what could go wrong ? Create a commenting name to join the debate, There are no Independent Premium comments yet - be the first to add your thoughts, There are no comments yet - be the first to add your thoughts. User Ratings External Reviews Clark will … Find out everything Empire knows about Interlude In Prague. With all its pomp, ceremony, feathers and wigs, Interlude in Prague is a sumptuous film. The plot was to be set around the time Mozart composed his opera Don Giovanni in 1787. I can only assume that this implies that Mozart composed Don Giovanni in Prague but the story surrounding the composition in the film is fictional. You can also choose to be emailed when someone replies to your comment. Interlude in Prague: A Review I've been following Interlude in Prague ever since I read Variety's article from last April when the film was shooting on location in Prague (watch the trailer). Interlude in Prague is at best a chance to hear some lovely music by Mozart but, for a film about the genesis of Don Giovanni, it could do with more of it. Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium. Purefoy's portrayal of the Baron shows fleeting moments of pure malice but for the most part, his character comes across as over-drawn and laughable. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. By Rich Cline. Indeed the classical period, in which this tale is set, is an era that cinema has shown its fair share of adoration for. Zuzanna Lubtak (admirably played by Morfydd Clark), a delicate young soprano in Mozart's The Marriage of Figaro, is to be betrothed to the evil Baron Saloka (James Purefoy); a womanising predator who makes Weinstein look like a choir boy. Metacritic Reviews. While it is pretty to look at, they forgot an interesting script and anything resembling competent direction. There was nothing authentic to it, I felt like I was watching a badly done TV movie. Really enjoyed this based on relatively unknown period in Mozart's life when he had an affair and was writing Don Giovanni. Directed by John Stephenson, the film also stars Les Miserables' Samantha Barks, Ade Edmondson, and Dervla Kirwan. It's a potpourri of questionable facts that are lavishly fleshed out with more gratuitous embellishments than Trump's twitter account; the result is an inventive fantasy about how Mozart's famous opera might have been inspired. The film imagines a tale of lust and deceit, inspired by one of the composer's most famous works Don Giovanni, Find your bookmarks in your Independent Premium section, under my profile. Well acted, beautifully sung, fanciful drama based on composition of Mozart's Don Giovanni, Great film - had to watch it twice on realising it was based on true events, theres still a plenty room of improvement. Enter Mozart (played admirably by Aneurin Barnard) to right the wrongs ... oh, and fall in love with Zuzanna. Interlude in Prague Review. However, Adrian Edmondson was excellent as Herr Lubach, but Dervla Kirwan just grated as his wife. I'm no historian, nor a Mozart fanboy, but a quick google reveals his time in Prague did seem to have a significant influence on the famed opera. The film imagines a tale of lust and deceit, inspired by one of … Need to get a new editor, but it has the structure of a good story. A fictionalised story from the life of Wolfgang Mozart, this lavishly produced period drama is enjoyable for its witty performances and sexy intrigue. Though the dates and locations here are real, the film makes daring use of Mozart's opera to paint a new, fictitious story about the composer, in a similar manner to 1998's Shakespeare in Love. If this all sounds a smidge camp, then you're not too far from the full symphony. This Kiwi rapper started a kids' charity. Hide Spoilers. | But beyond that, Interlude in Prague seems comprised of half-truths, unrelated rumours of infidelity and other bits and bobs. | Granted that I don't know much about the opera, I can appreciate the complexity and artistry of the music and the beauty in the talent and range of the vocalists. The Mozart drama Interlude In Prague, a British film from helmer John Stephenson and scripters Brian Ashby and Helen Clare Cromarty. I thought this was a creative take on Mozart's Don Giovanni. Sort by: Filter by Rating: 9 /10. Director and co-writer John Stephenson has examined the period when Mozart was to compose Don Giovanni. ... Movie Review: Interlude in Prague (+trailer) 30 Jul, ... More from Manawatu Guardian. How about you? Regardless, I enjoyed watching this. Aneurin Barnard was a delightful Mozart, as was Morfydd Clarke as the beautiful soprano to sing Cherubino on the new opera, Don Giovanni. Please be respectful when making a comment and adhere to our Community Guidelines. Are you sure you want to mark this comment as inappropriate? Interlude in Prague hits UK cinemas 25 May, before arriving on DVD and Digital HD from 29 May. Toby Woollaston is a film reviewer for NZME regional media. Read the latest news, features and the Empire review of the film. However, no amount of "lavish" production design, "exquisite" costumes or "sumptuous" cinematography (all of which are valid here) can hide this film's shortcomings. Independent Premium Comments can be posted by members of our membership scheme, Independent Premium. Which is a relief, because the aforementioned poster quoting descriptors, along with some of the burgeoning acting talent, makes Interlude in Prague just worth sitting through. Lots of beautiful music, and period costumes. Taking place over the course of several visits to Prague, Mozart (Aneurin Barnard) is invited to the city by Baron Salok (James Purefoy), who bears a certain reputation for vanity and self-obsession. Other notable characters are Josefa Duchek (Samantha Barks) and Barbarina (Ruby Bentall), a half feisty, half put-upon servant girl and Mozart admirer, who is unsurprisingly more than a little reminiscent of Poldark's Verity at times. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. We've got an exclusive look at the making of the film, exploring both its use of magnificent real locations, and the creation of its extravagant, intricate costumes. Want an ad-free experience?Subscribe to Independent Premium. It would be remiss to end this review without mentioning the music, which is of course wonderful.
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