“Westworld” turns him into a righteous sociopath, every bit the “monster” Theresa accuses him of being, but in defense of an artistic vision under attack by his corporate masters. In another life, he could be a Hollywood film director. ", This is the cue for Dr. Ford's grand entrance. Clementine Pennyfeather deserved better, HBO! She knows the routine and the script, and she’s hearing the notes so clearly that she annoyed enough to shut them down. But Ford and Benard soon see the demonstration for what it is: a pretext for firing Bernard and for nudging Ford toward retirement. Although Bernard’s true identity is the episode’s big twist, the most enduring revelation may be Ford’s resistance to Delos’s plans for his creations. Bernard is miserable because Dr. Ford crafted him to be miserable—a father so wracked by the grief of his son that he can't do anything but work. Like so much of what Dr. Ford says, this is a very pretty speech that is also total bullshit. It’s hard not to hear what William’s escort said to him when he asked if she was real or not: “If you can’t tell, does it matter?” It mattered to William on his first days in the park, when he was trying to be the white hat and resisting the temptations around him. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer, Movies Leaving Netflix at the End of October 2020, 6 Horror Films That Will Give You All the Feels… After They Terrify You. From award-winning writing and photography to binge-ready videos to electric live events, GQ meets millions of modern men where they live, creating the moments that create conversations.
", When Theresa opens the door Bernard can't see and descends the stairs, she finds the secret within the secret: an off-the-books lab for manufacturing hosts, operated by Dr. Ford in secret. The show's genre-thriller side is working as programmed. Sign up here. It seems unlikely that “simply telling stories” is his endgame any more than it is for Delos, because these machines are too sophisticated to serve merely as high-end Chuck E. Cheese automatons for libidinous rich guys.
Through half of the first season, “Dollhouse” mined that premise for episodic adventures involving its star, Eliza Dushku, who could play a hostage negotiator one week and a backup singer and bodyguard the next. Copyright © Fandango. Maeve’s power over men existed before her self-awareness, but now that she’s given herself an upgrade, she’s smarter and less inhibited than her handlers. Does it have any connection to whatever happened to Elsie last week? By the end, this slick TV show veered into the post-apocalyptic. "I've spared them that. Bravo to director Frederick E.O. He could have brought a gun, or used one of the several other hosts we know reside in his secret hideaway. As Bernard sputters impotently about how he must be a human—specifically and repeatedly referencing his wife and son, and baffled to the point that he's nearing a full-blown crash—Dr. Holy hell, that William and Dolores storyline was hitting Princess Bride-levels of oxytocin release. Don't have an account? But there’s another level to that, literally and metaphorically. By creating an account, you agree to the Privacy Policy This is the kind of twist that only raises more questions.
And then there's the question of Theresa Cullen. "Trompe L'Oeil" confirms a major fan theory with a chilling episode whose narrative shocks are further fueled by a bevy of standout performances. And she can die a million times, too. Created by Lisa Joy, Jonathan Nolan.
All rights reserved. Now, I suppose, we'll really find out if the hosts really do retain some memory of the things they do before their memories are wiped clean again. “Then I come here and I get a glimpse of a life in which I don’t have to pretend, a life in which I can be truly alive.” The irony of those words land hard, because he’s fooled himself into believing that a pretend relationship is a real one. When she asks him where a specific door leads, Bernard is puzzled: "What door? And so a popular fan theory comes to fruition: One of the park’s behind-the-scenes engineers is an android, and that android is Bernard, the head of Westworld’s programming division. [This is] what makes Westworld resonate so strongly. They require a blood sacrifice. The percentage of Approved Tomatometer Critics who have given this movie a positive review. This is a story about stories, a puzzle about puzzles, a game about games, gamers and game pieces. This twist had been predicted by many (including me), but the blunt fact of it doesn't capture how chillingly and successfully Westworld pulls the rug out from under us. And it makes sense, too: Given the ability to create androids that can pass as human beings — who might, in fact, have more physical, emotional and intellectual potential than their flesh-and-blood counterparts — an expensive theme park seems like an awfully limited application of the technology.
The fight was ostensibly enacted to expose the park’s poor maintainence of its hosts’ behavioral safeguards and the danger that poses for guests. Dr. Ford is the personal archtitect of every haunting memory in Bernard's brain—including the moment we see at the beginning of the episode, when Bernard's son, Charlie, suddenly dies in a hospital bed, literally seconds after Bernard promised him he would be okay. This week had brain drillings, bludgeonings and big emotional punches. Of the show’s many influences and predecessors, perhaps the most relevant to this week’s episode is “Dollhouse,” creator Joss Whedon’s little-seen, much-loved science fiction series for Fox. Let’s get the big reveal out of the way up front: Bernard Lowe, the mild-mannered head of Westworld's programming division, was a host all along, created by Dr. Ford to serve as a failsafe against any executives who might be working against him. Sunday night we learned that Delos, the company behind Westworld, has no long-term plans to operate the park as we’ve come to understand it. “I’ve been pretending my whole life,” he tells her. • Bernard’s affection for Lewis Carroll is a prime example of the show’s weakness for interpreting itself. All rights reserved.
If Dr. Ford has quietly maintained this host-manufacturing lab for so many years, how many other secret robots are running around the park doing his bidding? Toye and writers Halley Gross & Jonathan Nolan, who handled a reveal some have been expecting for a while in a way that should prove satisfying to everyone. Westworld's attempt to pull the rug out from under the audience doesn't only serve a narrative purpose in reconfiguring where characters stand in the grand scheme of things, it echoes on an emotional level by rescinding the decency of a key character. So Which 'Westworld' Character Is Secretly a Robot. Season 1, Episode 7: ‘Trompe L’Oeil’ ... One of the park’s behind-the-scenes engineers is an android, and that android is Bernard, the head of Westworld’s programming division. And given Dr. Ford's repeated boasts about knowing "every blade of grass" in Westworld, is he really unaware of the underground revolution happening right under his nose, as both Dolores and Maeve move far beyond what we've been told is the absolute boundary of their capacity? As the episode ends, Theresa's limp body rests slumped against the wall of Dr. Ford’s secret lair—and the camera briefly refocuses on his host-creating machine, busily whirring away. Theresa is doomed, of course. Have you seen this?
“I simply wanted to tell my stories,” Ford says to Theresa, moments before ordering Bernard to kill her. If Dr. Ford is secretly loading the Delos board with his own creations, he can play a longer game than anyone could imagine, crafting every micro-conflict—even an apparent enemy, seeking to "force him out," who is actually under his direct control—to suit his own grander purposes.
Much like the park in Westworld, which serves the whims of an elite clientele, the high-tech facility in “Dollhouse” offers the wealthy a selection of programmable men and women to suit their fantasies. and the Terms and Policies, As Charlotte Hale bluntly puts it to Theresa: “This place, the people who work here, are nothing. I think Ford's willingness to mess with the heads of those in his orbit is mirrored by the show, which opens this week with a heartbreaking scene of Bernard reading to his dying son... and that Bernard's whole tragic backstory is a fiction. And while Theresa makes a valiant effort to cast herself as the one who still has all the power in the situation, Dr. Ford casually dispatches her in another flourish that serves to illustrate the depths of his cruelty.
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