Monroe's reply: "Let's throw another log on the fire.". Overall Story Signpost 4: Understanding, Main Character Throughline: Universe
The acerbic one-liners, the careful construction of character and situation, the simultaneous sentimental/cynical use of music and love scenes, the running lines and gags, and above all the absolute economy that makes everything contribute to the forward frenetic motion of the film are elements that make Billy Wilder one of America’s model writer/directors of comedy. The screenplay by Wilder and I.A.L. Story Judgment: Good, Overall Story Throughline: Physics There are two ingredients that are necessary for any comedy that tells a story: (1) an underlying pain and (2) a three-step structure of desire, deception, and discovery. What also helps are Lemmon and Curtis’ finely-controlled performances as two musicians hiding in the band in order to escape from George Raft and his gang after they have witnessed a scene based on the infamous Valentine’s Day Massacre. Diamond, turned to a German farce of the twenties for their original source material, but putting a couple of guys in drag has been a familiar comic shtick far longer than that. A Form to Story. Billy Wilder and his writing partner, I.A.L. Monroe lusts after money and gives him lessons in love.
Relationship Story Signpost 4: Becoming, Overall Story Goal: Doing Curtis protests to Lemmon. "You're not a girl!" Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Some Like It Hot was a huge hit when it was released in 1959, but not everyone had the opportunity to see it. Wilder places her in the center of a round spotlight that does not simply illuminate her from the waist up, as an ordinary spotlight would, but toys with her like a surrogate neckline, dipping and clinging as Monroe moves her body higher and lower in the light with teasing precision. Poured into a dress that offers her breasts like jolly treats for needy boys, she seems totally oblivious to sex while at the same time melting men into helpless desire. Overall Story Cost: Preconscious Overall Story Catalyst: Experience Curtis lusts for Monroe and disguises himself as a millionaire to win her. Influence Character Issue: Worth vs. Value Main Character Solution: Test And let us not forget George Raft and Joe E. Brown, whose work in the early days of the sound era now is largely forgotten, but who in this film each give one of the memorable performances of their careers. "Water polo? Influence Character Response: Cause Main Character Symptom: Ending Both Curtis and Lemmon are practicing cruel deceptions--Curtis has Monroe thinking she's met a millionaire, and Brown thinks Lemmon is a woman--but the film dances free before anyone gets hurt. Overall Story Signpost 2: Doing More Analysis → Sophie's Choice. Analysis Home. "Look how she moves. They join an all-girl orchestra on its way to Florida. Story Outcome: Success "Look at that!" Why would a guy want to marry a guy?"
Even the most successful of sound comedies tends to date rather quickly, but Some Like It Hot has managed to remain today as fresh and lively as it was three decades ago. Their relationship is flipped and mirrored in low comedy as Lemmon gets engaged to a real millionaire, played by Joe E. Brown. Relationship Story Response: Cause Overall Story Signpost 1: Learning She wears that clinging, see-through dress, gauze covering the upper slopes of her breasts, the neckline scooping to a censor's eyebrow north of trouble. It is a striptease in which nudity would have been superfluous. Then she opened the wrong drawer.
There is another kind of pain and deception that underlies Some Like It Hot: the notion that Marilyn Monroe was nothing more than an early “T and A” girl who could drive men mad but couldn’t act. Marilyn Monroe starts in the comedy as Sugar Cane who is a very feminine musician. Fact Influence Character Problem: Proven She must have some sort of built-in motor. Overall Story Dividend: Progress Monroe had so much trouble saying one line ("Where's the bourbon?") If you've seen the movie, you know what it is, and if you haven't, you deserve to hear it for the first time from him. Based on theories and materials developed by Melanie Anne Phillips and Chris Huntley.
Overall Story Preconditions: Memory Desire What a work of art and nature is Marilyn Monroe. She kisses him not erotically but tenderly, sweetly, as if offering a gift and healing a wound. The plot is classic screwball. Overall Story Solution: Test
She has the gift of appearing to hit on her lines of dialogue by happy inspiration, and there are passages in Billy Wilder's "Some Like It Hot" where she and, The Dark Side of Harrison Ford: On the Roles That Led to What Lies Beneath, Why The Thing is One of the Most Effective Horror Movies Ever Made, AFI Fest 2020 Closes Out a Season of Reimagined Online Film Festivals. You've reached the "hub" for any and all Dramatica analysis of Some Like it Hot. Overall Story Issue: Skill vs. I had two ponies drown under me. Watch the final take of "Where's the bourbon?" Download file to see previous pages They have to dress and act like girls. Influence Character Critical Flaw: Security Influence Character Signpost 3: Subconscious Main Character Response: Unending "Some Like It Hot" has no problems with its musical numbers because the singer is Monroe, who didn't have a great singing voice but was as good as Frank Sinatra at selling the lyrics.
Relationship Story Inhibitor: Skill She has the gift of appearing to hit on her lines of dialogue by happy inspiration, and there are passages in Billy Wilder's "Some Like It Hot" where she and Tony Curtis exchange one-liners like hot potatoes.
Overall Story Response: Cause Curtis: "I'll say! Story Limit: Optionlock Relationship Story Solution: Non-Accurate Influence Character Signpost 2: Preconscious The movie is really the story of the Lemmon and Curtis characters, and it's got a top-shelf supporting cast (Joe E. Brown, George Raft, Pat O'Brien), but Monroe steals it, as she walked away with every movie she was in. The sources of Marilyn’s personal pain, both in her personal life and during the making of the film, could explain why she appealed to women as well as men. Main Character Concern: Progress Greek and Roman audiences roared at the gag in the works of playwrights such as Plautus and Terrence. and Monroe seems utterly spontaneous. I tell you, it's a whole different sex.". Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. She hasn't aged into an icon, some citizen of the past, but still seems to be inventing herself as we watch her. Main Character Growth: Stop Main Character Benchmark: Past Jack Lemmon graciously consented to a lengthy interview for this videodisc. Their romance is frankly cynical: Brown's character gets married and divorced the way other men date, and Lemmon plans to marry him for the alimony. The weak points in many Marx Brothers films are the musical interludes--not Harpo's solos, but the romantic duets involving insipid supporting characters. Marilyn Monroe, who has remained a universal icon among movie stars longer perhaps than any other female star, is also at her peak in this film. Unlike Sugar Cane, Lt. Ripley is a very tough and manly character. Sigourney Weaver is the star of the film and plays the character Lt. Ripley.
Tony Curtis' performance is all the more admirable because we know how many takes she needed--Curtis must have felt at times like he was in a pro-am tournament. Both Monroe and Brown learn the truth and don't care, and after Lemmon reveals he's a man, Brown delivers the best curtain line in the movies. Lemmon has a hilarious scene the morning after his big date, laying on his bed, still in drag, playing with castanets as he announces his engagement.
Overall Story Problem: Trust Influence Character Solution: Unproven
"You're a guy! When sincere emotion strikes these characters, it blindsides them: Curtis thinks he wants only sex, Monroe thinks she wants only money, and they are as astonished as delighted to find they want only each other. Main Character Issue: Fantasy vs. Although Marilyn never received the recognition for her acting ability that she so desperately desired during her lifetime, she was, in fact, one of the most effective comedians in film history. while looking in a dresser drawer that Wilder had the line pasted inside the drawer. The film was condemned by the National Legion of … She hasn't aged into an icon, some citizen of the past, but still seems to be inventing herself as we watch her. Relationship Story Signpost 2: Conceptualizing
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