A white line forms under the logo, and that line "springs" into a cursive "Animated Entertainment". The theatrical feature film Mad Monster Party?
Then the circles appear to complete the stylized "R-B," except instead of just appearing they sort of "grow" in their places. One is at the bottom, and the other two are stacked on the left and right corners of the bottom tube, which, when together, resemble Mickey Mouse's head or a water molecule. The majority of Rankin/Bass's work, including all of their "Animagic" stop-motion productions (which they were well known for), were created in Tokyo, Japan.
Their final stop-motion style Christmas story was The Life and Adventures of Santa Claus, taken from the L. Frank Baum story of the same name and released in 1985. The word "Animated" in a script like font flashes and appears. In 1965, a new song was filmed in "Animagic" to replace "We're a Couple of Misfits", titled "Fame and Fortune.". The dark background and music, plus the sudden transition into the Motown Productions logo may turn some people off.
Scare Factor: Low. Many of their other specials, like Rudolph, were based on popular Christmas songs. If not, you'll have to look very, VERY hard for this one. When the Telepictures logo appears, we hear an abridged version of the drum roll and a ding from the said logo. Availability: Common around the Christmas season. Narrated by Buddy Hackett, it tells the story of the winter sprite's love for a mortal woman menaced by the evil Cossack king, Kubla Kraus (Paul Frees, in addition to Kubla, voiced Jack Frost's overlord, Father Winter himself).
Take your favorite fandoms with you and never miss a beat. Often, traditional cel animation scenes of falling snow would be projected over the action to create the effect of a snowfall. Background: Rankin-Bass was formed in September 1960 by Arthur Rankin, Jr. and Jules Bass as Videocraft International; it was renamed to Rankin-Bass in 1968. Then, the "R-B" zooms up, and the shapes slide apart as they come closer to the screen, revealing a white "from". FX/SFX: The blues getting sucked in, the circles "growing". [9] This special has recently been released as part of the Warner Brothers Archive Collection on a double-feature disc that also contains Nestor the Long-Eared Christmas Donkey which is often paired with The First Christmas on holiday broadcasts. One of the mainstays of the business was holiday-themed animated specials for airing on American television.
On one print of S4EP5 of ThunderCats, this had the music from the next logo with the Lorimar-Telepictures "Crashing Comets" logo in a high pitch (likely due to NTSC to PAL conversion). With the exception of King Kong Escapes, all were made-for-television films. Nearly all of the studio's animation was outsourced to at least five Japanese animation companies: MOM Production, Toei Animation, TCJ (Television Corporation of Japan), Mushi Production and Topcraft.[1][2]. Music/Sounds: A bouncy, synthesized oboe theme (composed by Bernard Hoffer). It was followed by two similar TV shows about humanoid animals, SilverHawks in 1986, and TigerSharks, as part of the series The Comic Strip in 1987. Some early appearances of this logo had the animation occurring without the TV monitor outline and with the ending of the show's theme playing over it.
5th logo: We see the classic Rankin-Bass logo, except made completely three-dimensional, with the text in royal blue, in the corporate font of then-current parent company Telepictures. This can usually be seen on The Little Drummer Boy and Frosty the Snowman. During that year, Videocraft International, Ltd. (whose logo dominated the Rankin/Bass logo in the closing credit sequences) changed its name to Rankin/Bass Productions, Inc., and adopted a new logo, retaining a Videocraft byline in their closing credits until 1971 when Tomorrow Entertainment, a unit of the General Electric Company acquired the production company. Every time they go through a shade, that's the color the rectangle is until all three have been done and the scre…
Scary Logos Wiki is a FANDOM TV Community. A white line forms under the logo, and that line "springs" into a cursive "Animated Entertainment". Variant: Some early appearances of this logo had the animation occurring without the TV monitor outline and with the ending of the show's theme playing over it.
Nowadays, the pre-1974 library is currently owned by NBCUniversal on behalf of DreamWorks Animation, the post-1974 library is owned by Warner Bros. Entertainment, Inc., The Jackson 5ive is distributed by CBS Television Distribution, and Rankin-Bass's theatrical film library is owned by StudioCanal.
The rights to the 1999 animated film adaptation of The King and I are currently held by Morgan Creek Entertainment. The dramatic cheesy special effects added to the dramatic music may scare some. In 1999, Rankin/Bass joined forces with James G. Robinson's Morgan Creek Productions and Nest Family Entertainment, creators of The Swan Princess franchise, for the first and only animated adaptation of Rodgers and Hammerstein's musical The King and I, based on a treatment by Rankin. Kizo Nagashima, the associate director of Rankin/Bass' previous "Animagic" productions, was credited as a production supervisor. In 2001, Fox aired the first new original Christmas special to be produced by both Rankin and Bass in 16 years, Santa, Baby!, which like most of their production company's other specials was based on a popular, similarly-titled Christmas song. Then the circles appear to complete the stylized "R-B," except instead of just appearing they sort of "grow" in their places. Availability: Seen on the animated cartoon Santa Baby, the last film from Rankin Bass before their closure. Variants: There are a few variants, which will be described later. Romeo Muller was another consistent contributor, serving as screenwriter for many of Rankin/Bass's best-known productions including Rudolph the Red-Nosed Reindeer, The Little Drummer Boy, and Frosty the Snowman. Among Rankin/Bass's original specials was 1975's The First Christmas: The Story of the First Christmas Snow, featuring the voice of Angela Lansbury (who also starred in the 1982 adaptation of The Last Unicorn) as the narrating and singing nun, Sister Theresa, and Irving Berlin's Christmas classic "White Christmas". As the "O" overtakes the screen, we see the animation of the Telepictures or Lorimar-Telepictures animation, which eventually fills the entire screen.
One of Videocraft's first projects was an independently produced series, The New Adventures of Pinocchio.
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