Application in Somerleyton Road, Brixton, London, Proposal for a Cooperative House in London. From the beginning of its activities, Dogma has worked on the relationship between architecture and the city by focusing mostly on urban design and large-scale projects. Gross floor area 26.000 sqm. They comprise a study of the private room as a specific architectural form. (“Oh come on then! Total area 56.800 sqm. Dogma is a project by Nicolas and Stefania. Dogma follows no style and shape rules, it makes them, it experiments, follows and distorts the raw material until reaching its consecration. Gross floor area 20.000 sqm. Much architecture aspires to be this. Dogma is interested in the relationship between architecture and the city. Dogma’s origins go back to time immemorial, when the shapeless substance was seeking its own essence, its own expression. This profile does not currently have an administrator. The design and details were all specially created for this house. These interventions should be understood as pilot projects that can be realized in different contexts, following three specific criteria. Dogma is the office founded by Pier Vittorio Aureli and Martino Tattara in 2002. The materials are used according to their nature. Which brings us to …. The principle of “equal rooms” that can eventually be connected to form larger units is a way to counter the functional and gender specificity of domestic space, and to make housing adaptable for forms of life beyond the family. Rethinking Ownership, Construction and Typology of Affordable Housing. Field plan: Fountain Park, Bornem. “add beauty” should be made to prove that what they are adding. Here are the designers who will exhibit at the 2020 Venice Biennale, With 'Ways of Life,' 19 Architects Reimagine What It Means to Live and Work in Nature, Get Lectured: University of Miami, Spring '15. There are many beautiful antique architectural drawings like this, and there was also a brief PoMo craze for architectural drawings as art, but these drawings were never the production drawings. Dogma was founded in 2002 by Pier Vittorio Aureli and Martino Tattara. This is Arts & Crafts for the 21st century, romanticising the production of one-off objects for people who can afford the time, materials and labour required to design and fabricate them. We propose that these sites be transformed into affordable live/work spaces. The design and details were all specially created for this house. It’s what plastic does best. If it does the job it’s good. 2) Can be achieved without the use of additional resources, and They comprise a study of the private room as a specific architectural form. Housing typologies: Type A (Gallery housing) and Type B (Tower housing), Edge: View of the room from the bed mezzanine. It takes a while for these new ways to be recognised as stealth ornament and, ultimately, as an architectural movement. The Architecture of the Private Room These drawings are part of a series of 48 perspectives that depict the ‘private’ room from antiquity to the present day. Edge plan: Sphere Business Park, Zellik. Photographer Tae Yoon Kim. Oh. The facade arises from the floor plan, and vice versa. Dogma was founded in 2002 by architects Pier Vittorio Aureli and Martino Tattara, both graduates of the Istituto Universitario di Architettura di Venezia (IUAV) and the Berlage Institute.Their practice is oriented around developing projects that allow them to focus on their “favorite topics”: large-scale design and the architecture of domestic space. I don’t think much of this one eihter. Courtesy of Seoul Biennale of Architecture and Urbanism. The abundance of space that can be found in office parks can benefit material forms of production that require a certain amount of square meters that are often not available within the dense fabric of city centers. DOGMA (Pier Vittorio Aureli, Martino Tattara) Stop City 1. Domestic units 420. unique vs. reproducible Today, a large part of this stock is vacant. People wishing to “add beauty” should be made to prove that what they are adding Installation at Seoul Biennale. Cheers, enjoy. By Pier Vittorio Aureli and Martino Tattara. This would be a better use of resources and we would at last be able to see if a beauty-neutral building really makes us feel that bad after all. The goal is to maintain the zero-degree architecture of the office space. These drawings are part of a series of 48 perspectives that depict the ‘private’ room from antiquity to the present day. References to architectural movements are actually just another shape that ornamentation comes in and ornamentation, as we know, is just another way of making buildings more expensive than they need to be. Inspired by the Dogma rules, a detached house was built in the Zuideburen district of Leeuwarden. Individual space is minimized so that one person can live in it comfortably, and collective space is increased to contain those functions usually squeezed into tiny apartments. This is dodgy logic because nobody knows what “beauty” is, when or where that particular “magic” gets input, or how to guarantee a building has it. The architecture of the house contains no ornamentation and no references to architectural movements. Floor area ratio 0,36. 11 Projects’ the first monograph on the work of the office was published by the AA Publications. Conclusion? INSPIRATION vs. INTELLIGENCE Far from being a timeless form, the room is a product of specific historical circumstances that are related to one of the most controversial and problematic issues of human history: the domestication of society. Art and substance melt together, thus generating sculptures to be worn and admired. Frisanco (Italy) What we do know is that beauty, or the pretence of it, can be easily identified when money has been spent for no tangible improvement in physical comfort. The house speaks for itself. The materials where used according to their nature. Do you want to come inside or go out?” etc.) At the same time, they’re not really dogma because dogma is dogmatic, not voluntary, and because dogma is black and white, not several shades of grey. View towards the inner courtyard, Rue Démosthène, Housing for Community Land Trust in Brussels, Minimum dwelling and its discontents, 2018, Charles Israel, ‘The Century’ bachelor flat, New York (USA), 1901, Margarete Schütte-Lihotzky, housing prototype for professional women, Frankfurt (Germany), 1927, Moisei Ginzburg and OSA, house for the State Planning Committee (Gosplan), 1929, Project for two social housing blocks in Aguascalientes (Mexico), 2018, Project for the transformation of Via Giulia Augusta in Aquileia (Italy), 2018, Project for a mid-rise housing block in Russia, 2018, Masterplan for the Hakaniemenranta area, Helsinki (Finland), 2018, The Architecture of the (Private) Room, 2017, Masterplan for the Ex Caserma Sani in Bologna (Italy), 2017, Masterplan for the Linkeroever area, Antwerp (Belgium), 2017, Project for a house prototype at the Edersee (Germany), 2017, General Local Plan GLP for the territory of Tropoja (Albania), 2017, Study for urban transformation and new housing typology in Limburg (Belgium), 2016, Project for the new central park of Prato (Italy), 2016, Project for boarding houses in London (UK), 2016, Production and Reproduction in Artists’ Housing, Berlin (Germany), 2015, Project for the transformation of office parks into living and working spaces, 2015, Masterplan for the corridor Durrës-Tirana (Albania), 2014, Proposal for affordable living and working spaces in the Merihaka district, Helsinki (Finland), 2014, Proposal for the transformation of office space into housing in the Quartier Leopold, Brussels (Belgium), 2014, Proposal for the retrofitting of Ludwig Hilberseimer's settlement Unit, Chicago (USA), 2014, Proposal for Vlora Waterfront (Albania), 2014, Proposal for a living/working unité d’habitation for 1600 inhabitants at the Balti Station area, Tallinn (Estonia), 2013, Project on Giovanni Battista Piranesi's Campo Marzio dell'Antica Roma, 2012, Proposal for 44 social housing units in Westerlo (Belgium), 2012, Masterplan for the Osong Biovalley (South Korea), 2011, Project for the Taichung Gateway Park, Taichung (Taiwan), 2011, Study on the European North West Metropolitan Area, 2011, Proposal for the area of Spina 4, Turin (Italy), 2010, Proposal for an urban theoretical model, 2007, Masterplan for the New Multi-Functional Administrative City in the Republic of Korea (South Korea), 2005. This new intelligence is at odds with inspiration. It shows how in certain situations dwellers have used and abused the private room as a space of rest, solitude and concentration in direct relationship with a common dwelling space, often overcoming the idea of private property as in the case of boarding houses, residential hotels and communal houses. Sweet! It is still regarded as A GOOD THING but it is really a huge value-adding component dressed up as pseudo-noble aspiration. This phenomenon is especially visible in the plethora of office parks located in proximity to the international airport of Zaventem. unmeasurable vs. measurable The manifesto on the home page sums me up as a 3rd year arch student perfectly. The rooms are drawn using the ‘ligne claire’ technique (used by architects such as Paul Letarouilly, Heinrich Tessenow and Leon Krier) in order to emphasise – above anything else – the room form. Their goal is to achieve a certain kind of perfection regarding humans vis-à-vis buildings and buildings vis-à-vis the environment. Frequent turnover of tenants has made European office parks the utmost generic workplace. p.iva 01769030931. By Biba Dow, Elizabeth Hatz, Emma Letizia Jones, Helen Thomas, Roz Barr and Stephanie Macdonald, design methodologies drawing histories drawing techniques & materials on their own work, Pier Vittorio Aureli Dogma Toyo Ito Louis Kahn Heinrich Tessenow Paul Letarouilly Leon Krier, projection (axonometric isometric) presentation theoretical & imaginary domestic interior. In this way the interior of the office building can be freely organized according to different necessities. If the purpose of architecture is to make space then the room is the most direct architectural form that can result from such a claim. Dogma is the office founded by Pier Vittorio Aureli and Martino Tattara in 2002. Art and substance melt together, thus generating sculptures to be worn and admired. Pier Vittorio Aureli spoke on the ‘private’ room, in the Barbican’s Frobisher Auditorium 1, on 16th November 2017, as part of the Architecture on Stage series.
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