[11][12] On November 30, 1940, Morris married socialite Lillian Kenton Barker at the home of actor Frank Morgan. He was born John Chester Brooks Morris in New York City, one of four children of Broadway stage actor William Morris and stage comedian Etta Hawkins. Later that year, Morris was cast as one of the leads (opposite Wallace Beery and Robert Montgomery) in the M-G-M prison drama The Big House.
Morris actually made his film debut in 1917 as rival suitor to Gladys Leslie in An Amateur Orphan, described at the time as one of Leslie’s “poor little rich girl” roles. Thanks for the comment, GOM!
(adsbygoogle = window.adsbygoogle || []).push({}); Mailing schedule: Nothing at the moment …. Notable deaths from barbiturate overdose include the members of Heaven's Gate cult, Marilyn Monroe, Dalida, Judy Garland, Chester Morris, George Sanders, Pier Angeli, Jimi Hendrix, Scott Newman, Brian Epstein, Alan Wilson, Phyllis Barry, Scotty Beckett, Helen Palmer, Edie Sedgwick, Dominick Elwes, Dinah Washington, Leila Pahlavi, and Carole Landis. Most of the enjoyment comes from the interaction of the likable recurring characters. [10], Morris was married twice. [14] After the production wrapped, he returned to his home in Manhattan where his health began to decline. He is preceded in death by his parents: William Philip Morris and Margaret E. Linch Morris. His leading-man career at MGM seemed to have petered out after the ascent of Clark Gable, leaving him to specialize in character roles. Proud son of the late Chester "Boston Blackie" and Lily Morris; beloved partner and fiance' Death was in Flint MI. Chester Morris was an early Academy Award nominee who starred in a handful of pre-Code classics opposite some of Hollywood’s most glamorous and best loved actresses, but is best known for portraying reformed criminal Boston Blackie in a series of fourteen “B” movies for Columbia during the 1940s. he always seemed a likable player. I agree, it was pretty neat the way he comes out at the end of The Bat Whispers though, unfortunately, that’s my favorite part of the movie. They had two children, John Brooks and Cynthia. While appearing in the 1927 play Crime, Morris was spotted by a talent agent and was signed to a film contract. Chester Morris was married twice and had three children, a son and a daughter by first wife, Suzanne Kilbourne, to whom he was married from 1926 through 1940. [3] In 1941, Morris' career was revived when he was cast as criminal-turned-detective Boston Blackie.
Do NOT follow this link or you will be banned from the site. The first Freddie Bartholomew biography in over 75 years! He first married Suzanne Kilbourne on November 8, 1926. The fourteen Blackie films were largely lighthearted crime stories that saw Morris’ Blackie, a reformed criminal, along with sidekick Runt (usually George E. Stone) implicated in some crime by Inspector Faraday (Richard Lane) and working to clear his name, often with an assist from millionaire pal Arthur Manleder (usually Lloyd Corrigan). Here’s a brief look at Confessions of Boston Blackie (1941) from a past post. Morris appeared in a total of fourteen Boston Blackie film serials for Columbia Pictures, beginning with Meet Boston Blackie. [4] The family's act consisted of a comedy sketch entitled "The Horrors of Home". Jacqueline T. Lynch, author of Ann Blyth: Actress. He’d been out of circulation since the late 1920s when Columbia rebooted it as their latest crime series with 1941’s Meet Boston Blackie starring Morris. sinister character but I really liked the way he came out at the end and I envy their respective jawlines! For the next two years, he worked steadily in films for United Artists and M-G-M before being cast opposite Jean Harlow in the 1932 comedy-drama Red-Headed Woman. Great, Scott, thanks so much for sharing! He enjoyed fishing, working around his house and helping others around their house.
[5] He followed with roles in Woman Trap (1929), The Case of Sergeant Grischa (1930) and The Divorcee, starring Norma Shearer in 1930. [1], Morris made his sound film debut as "Chick Williams" in the 1929 film Alibi, for which he was nominated for a Best Actor Academy Award.
There were at least three playing today I didn’t have so I’m excited to have a new supply of Chester movies to watch in addition to my ongoing viewing of the BOSTON BLACKIE movies! Morris also went back to live theater during those last couple of decades of his life. Ourso Funeral Home, Gonzales is in charge of arrangements. Immortal Ephemera connects the stories with the collectibles. I hope I have a copy of I Promise to Pay, sounds good and I like Helen Mack in about anything. Speakeasy says: "Despite her decline, this is not a sad or bleak book but an enjoyable history ... Any fan of the collectible Citadel “Films of” book series will appreciate the modern twist on that format, a full biography followed by an expanded filmography." In 1960, he had recurring role as Detective Lieutenant Max Ritter in the CBS summer replacement series, Diagnosis: Unknown. one I like is “I Promise to Pay” – just a B but he made his role really special. He had a recurring role as a detective in the 1960 series Suspense: Danger and also made guest appearances throughout that decade on shows such as Rawhide, Naked City, Ben Casey, Route 66, Doctor Kildare, The Defenders and others.
My sense about Morris is that he was an actor’s actor, and playing character roles suited him fine – you can see his range in Boston Blackie, in which he did a number of impersonations (elderly gents and even women). My thanks in advance if you'd consider helping out through one of the following methods: Preferred: Shop the Immortal Ephemera Store and get yourself some vintage movie items for your trouble! thrilled to be able to sink his teeth into a really meaty “baddie” role. I write about old movies and movie stars from the 1920s to the 1950s.
Morris toured with his family for two years before returning to Broadway with roles in The Home Towners (1926) and Yellow (1927). Chester's mother, Etta Hawkins (1865-1945), w… In November 1928 he and Regis Toomey were among five Broadway players selected by director Roland West to appear in his adaptation of Broadway’s Nightstick, soon retitled Alibi for the screen. Shortly after his death the public saw him playing a fight promoter in his final film appearance with the release of The Great White Hope (1970) starring James Earl Jones in October 1970. While the idea of Chester Morris as Dracula is intriguing I think I'm happier that in the end Morris wound up playing parts more reminiscent of Cagney than Lugosi from 1930 onwards. His biggest hit of the period was said to be the Shipman-Hymer underworld melodrama Crime which saw Morris and Kay Johnson support James Rennie. Laura, I actually don’t think I’ve seen any of the Chester Morris that TCM played on Wednesday. Alibi immediately established Morris as a star and he continued to impress throughout 1930 when parts included his playing a Russian escaped from a German prison camp in The Case of Sergeant Grischa, a lost film; As Norma Shearer’s unfaithful husband in The Divorcee, a role that won Shearer her Academy Award in a film that is now considered a pre-Code classic; Starring behind bars in groundbreaking prison flick The Big House, which won a couple of Academy Awards itself; Back with Roland West in old dark house mystery The Bat Whispers, a talkie remake of the director’s earlier The Bat (1926); Morris was a Wall Street financier turned pirate on the high seas in West’s final film, Corsair, in 1931; 1932 saw Morris succumb to Jean Harlow’s charms in another classic of the era, Red Headed Woman; He’s also very good that year opposite Sylvia Sidney in a talkie remake of The Miracle Man, which sees character actor John Wray twist himself into the part originally played by Lon Chaney in 1919; We have previously looked at his gum-chewing, cigarette-smoking gangster opposite Joan Blondell in Blondie Johnson (1933) and gave brief mention to King for a Night (1933) in another past post.
He briefly returned to films in 1955 with a role in the prison drama Unchained, followed by a role in the 1956 science-fiction horror film The She-Creature.
He had been practicing magic since the age of 12 and was considered a top amateur magician. After Yopp could not reach Morris by phone at his motel room, he went to Morris' room where he found the actor's body lying on the floor. Chester Morris is one of my favourite actors and you have done him proud with Another He also managed to peeve the magic community with a 1947 Popular Mechanics article that exposed some tricks of the trade. But he is best remembered today for portraying Boston Blackie, a criminal-turned-detective, in the modestly budgeted Boston Blackie film series of the 1940s. [3] After appearing in 1949's Boston Blackie's Chinese Venture, the final Boston Blackie film, Morris largely retired from films.
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